I´m Daniel Calvo, VFX Supervisor. I have been working for twenty years in the film and entertainment industry.
During this period, I’ve been involved on local and remote projects in the US, Europe, and Latam. Some clients are, EL DESEO, PATAGONIK, 4HUMANS, TRONCO, FLAMBOYANT PARADISE, MU FILMS, PLENTY, 3DAR, COCA COLA, FORD MOTORS, VOLKSWAGEN, TOYOTA, SONOS, JOHNSON & JOHNSON, DANNON, NET, and More.
I own ALDEAVFX is a visual effects studio that produces visual effects for television, film, and commercials. Before fully dedicated my life to post, I´ve been working as Cinematographer and earned special prizes for this role.
Projects I´ve worked in:
Maharlika/ 2022 / Tv Series / Post Production
Breach / 2021 / IMDB / VFX SUP
Off Your Head / 2021 / IMDB / VFX SUP
3022 / 2020 / IMDB / VFX SUP
The Prey / 2022 / IMDB / VFX SUP
Dagenham / 2019 / IMDB / Digital artist
The Angel / 2018 / IMDB / VFX SUP
El Pampero / 2018 / IMDB / VFX
On the milky road / 2017 / IMDB / VFX
Ephialtes / 2016 / TV Series / IMDB / VFX & GRADING
Trae tu Aire /2006/ Short film / VIMEO / VFX / Grading / Cinemat. & Camera
Ahora es nunca / 2014 / Short / IMDB / VFX & Camera
Ivan y Eva / 2002 / IMDB / VFX / Color Grading / Cinematographer & Camera
La Razón / 2010 / Feature Film / IMDB / Cinematographer & Camera
Móvil 011 / 2005 / Short / IMDB / Cinematographer & Camera
El cine de Maite / 2008 / Feature Film / IMDB / Camera
Que sea Rock / 2006 / Full length Documentary / IMDB / Camera
Charly / 2005 / Documentary / IMDB / Camera
Experience on Commercials and music videos
NET – The New Ugly Duckling / VIMEO / VFX
FX Turkey / Youtube / VFX
Chupa Chups & Instagram / VIMEO / VFX
Natalia Clavier / VIMEO / VFX
Frikstailers / VIMEO / VFX
Danimals Play 60 / VIMEO / VFX
Coca Cola UEFA / Youtube / VFX
Experience on Live Shows & Theater
Mapping Agua, San Juan, MAGyP, 2012.
Mapping Exodo Jujeño, cd. de Jujuy, 2011.
Screens YouFest, Madrid, 2012.
Air Condition, de B. Angiel. 100.000 spectators in 18 countries, 2007 – 2013.
Opening Estadio único de la Cd. de La Plata, 2012.
Show Leonardo, G. Hochman, BsAs. Bogotá 2011.
Show Avalancha, Tecnópolis, cd. de Bs. As. 2011.
Interactive Opening MMA C.A.B.A. 2010.
Show Travelling, de G, Hochman, 2009.
Show Limousine, C. Exp. Teatro Colón, C.A.B.A. 2009.
Show Electronic Circus, 2007
On someone else’s words…
Text written by Caleb Deschanel , DOP, Jury, Kodak LatAm FSC.
It’s the visual images in the futuristic story of Ivan and Eva that very effectively tell the story. I thought the clever use of point of view, camera angles, color and movement contributed enormously to understanding this story. It has great humor and a wonderful simplicity, and is one of the more purely visual projects submitted. I think the cinematographer deserves high praise for getting so much out of the confines of the limited sets. Yet the film has a perfect balance of claustrophobia and openness. Ivan and Eva is the embodiment of the “law of inverse enclosure” — the idea that someone confined to a small space is in fact inversely enclosing everything that is outside. The acting is very strong and the payoff a pleasant surprise. It’s impossible to think of telling this story without the clever use of altered imagery and a sharp understanding of point of view. It shares some qualities with George Lucas’ fine student film THX1138. A very well realized project, very finely photographed.
Kodak FSC Argentina – Iván y Eva. – 2002.
Kodak FSC Latin America – Iván y Eva. – 2003.
Kodak Grant Rochester, NY. – Iván y Eva. – 2003.
5° Contest films & Video Architecture & Design. – 2004.
Best Cinematography – FCI – La Razón – 2008.