About


I´m Daniel Calvo, VFX Supervisor. I have been working for twenty years in the film and entertainment industry.


About

During this period, I’ve been involved on local and remote projects in the US, Europe, and Latam. Some clients are, EL DESEO, PATAGONIK, 4HUMANS, TRONCO, FLAMBOYANT PARADISE, MU FILMS, PLENTY, 3DAR, COCA COLA, FORD MOTORS, VOLKSWAGEN, TOYOTA, SONOS, JOHNSON & JOHNSON, DANNON, NET, and More.


I own ALDEAVFX is a visual effects studio that produces visual effects for television, film, and commercials. Before fully dedicated my life to post, I´ve been working as Cinematographer and earned special prizes for this role.


Projects I´ve worked in:

Maharlika/ 2022 / Tv Series / Post Production

Breach / 2021 / IMDB / VFX SUP

Off Your Head / 2021 / IMDB / VFX SUP

3022 / 2020 / IMDB / VFX SUP

The Prey / 2022 / IMDB / VFX SUP 

Dagenham / 2019 / IMDB / Digital artist

The Angel / 2018 / IMDB / VFX SUP

El Pampero / 2018 / IMDB / VFX

On the milky road / 2017 / IMDB / VFX

Ephialtes / 2016 / TV Series / IMDB / VFX & GRADING

Uncanny Valley / 2015 / Short Film /  IMDB / VIMEO STAFF PICK / VFX & GRAD

El Clan / 2015 / Feature Film / IMDB / TRAILER / VFX

Trae tu Aire /2006/ Short film / VIMEO / VFX / Grading / Cinemat. & Camera

Ahora es nunca / 2014 / Short / IMDB / VFX & Camera

Ivan y Eva / 2002 / IMDB / VFX / Color Grading / Cinematographer & Camera

La Razón / 2010 / Feature Film / IMDB / Cinematographer & Camera

Móvil 011 / 2005 / Short / IMDB / Cinematographer & Camera

El cine de Maite / 2008 / Feature Film / IMDB / Camera

Que sea Rock / 2006 / Full length Documentary / IMDB / Camera

Charly / 2005 / Documentary / IMDB / Camera

& more

Experience on Commercials and music videos

NET – The New Ugly Duckling / VIMEO / VFX

FX Turkey / Youtube / VFX

Chupa Chups & Instagram / VIMEO / VFX

Natalia Clavier /  VIMEO / VFX

Frikstailers / VIMEO / VFX

Danimals Play 60 / VIMEO / VFX

Coca Cola UEFA / Youtube / VFX

& more

Experience on Live Shows & Theater

Mapping Agua, San Juan, MAGyP, 2012.

Mapping Exodo Jujeño, cd. de Jujuy, 2011.

Screens YouFest, Madrid, 2012.

Air Condition, de B. Angiel. 100.000 spectators in 18 countries, 2007 – 2013.

Opening Estadio único de la Cd. de La Plata, 2012.

Show Leonardo, G. Hochman, BsAs. Bogotá 2011.

Show Avalancha, Tecnópolis, cd. de Bs. As. 2011.

Interactive Opening  MMA C.A.B.A. 2010.

Show Travelling, de G, Hochman, 2009.

Show Limousine, C. Exp. Teatro Colón, C.A.B.A. 2009.

Show Electronic Circus, 2007


On someone else’s words…

Text written by Caleb Deschanel , DOP, Jury, Kodak LatAm FSC.

It’s the visual images in the futuristic story of Ivan and Eva that very effectively tell the story. I thought the clever use of point of view, camera angles, color and movement contributed enormously to understanding this story. It has great humor and a wonderful simplicity, and is one of the more purely visual projects submitted. I think the cinematographer deserves high praise for getting so much out of the confines of the limited sets. Yet the film has a perfect balance of claustrophobia and openness. Ivan and Eva is the embodiment of the “law of inverse enclosure” — the idea that someone confined to a small space is in fact inversely enclosing everything that is outside. The acting is very strong and the payoff a pleasant surprise. It’s impossible to think of telling this story without the clever use of altered imagery and a sharp understanding of point of view. It shares some qualities with George Lucas’ fine student film THX1138. A very well realized project, very finely photographed.


Awards

Kodak FSC Argentina – Iván y Eva. – 2002.

Kodak FSC Latin America – Iván y Eva. – 2003.

Kodak Grant Rochester, NY. – Iván y Eva. – 2003.

5° Contest films & Video Architecture & Design. – 2004.

Best Cinematography – FCI – La Razón – 2008.


Contact


Thanks!